As an archaeologist and iconographer, I am, in essence, an Ancient Art historian. The question of the difference between European Pagan art and Jewish “art”, came up a couple months ago when I posted a meme in response to Christian Identity supporters’ mass posting of anti-idolatry memes, some of which suggested that “idolaters” should be “put to death”. Strangely, for a “pro White” organization, the majority of everything Christian Identity followers promote seems to encourage hatred of European religion, culture, and art, adherence to Noahide laws, Jewish supremacism, and other Messianic Jewish aims.
Does a work of art, an expression of the soul, indicate more about the artist, and even the tribe of the artist, than we might at first realize? I have mentioned these topics a bit in two podcasts, one of which is on Semitic aniconism, which is the basis of the Judeo-Christian hatred of “idols”, and of other works of European art…
…The other video which touches on this topic, starting around minute 22, includes discussion of my belief that an artistic object can sometimes contain part of the essence of the spirit of its creator.
Here, below, we see a herd of horses, sensitively and beautifully painted at the Lascaux caves of France 30,000 years ago. Clearly, the hearts of those who created these magnificent representations of Nature with such a loving hand had a very different outlook from the Semitic haters of European art. One can feel the artist’s love for Nature, and for these beautiful horses, even now.
It is now thought that the Lascaux cave paintings of France and some other European cave art may have been created in such a way that they were meant to be animated by torchlight or fires….See by Marc Azéma’s video below. (-; Just imagine how beautiful, mysterious, and dramatic the great herds of animals at Lascaux must have seemed in the semi-darkness, appearing to move, and flickering with life, and what wonderful stories of hunting and adventure must have been told around these campfires of old!
Now, compare these works of the human hand and mind to those of the trolls below. It is sad to bring things to this place, but at the current point in time it necessary to contemplate the difference between ourselves and those who seek to exterminate and replace us, those who never were meant to control this planet or any other, with good reason….
If you think this is scary, it gets far worse. Imagine what sort of place the creator of this work, a “Crying Woman” , the super- hyped Spanish-Jewish painter Picasso, must have been in psychologically and spiritually? Is this a place we want to go?
He and the other Jews liked and promoted this monstrosity so much, that he actually made variations of it. These images are so ugly and discordant that I seriously question if they should be shown to children. How this mentally ill freak could be considered an ‘artist” is beyond my comprehension.
How does a European artist see women, sexuality, and Nature.. as demented, distorted, demons, as Picasso does, or as beautiful and confident, and even, at times, divine? Witness the glory of Sandro Botticelli’s “Venus”. Is there even any comparison?
And how do our own folk see our men, our heroes, and warriors? They also are presented as godlike, full of divine spirit. No troll could ever create anything like the Riace Bronzes. It is impossible for them to do so, and that is one reason why they seek to destroy those of us who can, for we are not “the self’chosen people”, but the Children of the Gods.