The Emperor has No Clothes… Ancient European Cave Paintings vs. Jewish Modern “Art”

As an archaeologist and iconographer, I am, in essence, an Ancient Art historian. The question of the difference between European Pagan art and Jewish “art”, came up a couple months ago when I posted a meme in response to Christian Identity supporters’ mass posting of anti-idolatry memes, some of which suggested that “idolaters” should be “put to death”.  Strangely, for a “pro White” organization, the majority of everything Christian Identity followers promote seems to encourage hatred of European religion, culture, and art, adherence to Noahide laws, Jewish supremacism, and other Messianic Jewish aims.

Does a work of art, an expression of the soul, indicate more about the artist, and even the tribe of the artist, than we might at first realize? I have mentioned these topics a bit in two podcasts, one of which is on Semitic aniconism, which is the basis of the Judeo-Christian hatred of “idols”, and of other works of European art…

…The other video which touches on this topic, starting around minute 22,  includes discussion of my belief that an artistic object can sometimes contain part of the essence of the spirit of its creator.

Here, below, we see a herd of horses, sensitively and beautifully painted at the Lascaux caves of France 30,000 years ago. Clearly, the hearts of those who created these magnificent representations of Nature with such a loving hand had a very different outlook from the Semitic haters of European art. One can feel the artist’s  love for Nature, and for these beautiful horses, even now.

A herd of horses, sensitively and exquisitely rendered at the Lascaux caves of France. These are some 30,000 years old, and yet they are far superior to Jewish modern 'art"
A herd of horses, sensitively and exquisitely rendered at the Lascaux caves of France. These are some 30,000 years old, and yet they are far superior to Jewish modern ‘art”

It is now thought that the Lascaux cave paintings of France and some other European cave art may have been created in such a way that they were meant to be animated by torchlight or fires….See by Marc Azéma’s video below. (-; Just imagine how beautiful, mysterious, and dramatic the great herds of animals at Lascaux must have seemed in the semi-darkness, appearing to move, and flickering with life, and what wonderful stories of hunting and adventure must have been told around these campfires of old!

Now, compare these works of the human hand and mind to those of the trolls below. It is sad to bring things to this place, but at the current point in time it necessary to contemplate the difference between ourselves and those who seek to exterminate and replace us, those who never were meant to control this planet or any other, with good reason….

<em>Judiacia - Hamsa</em> by Sandra Silberwieg, and you should see <a href="https://www.etsy.com/listing/125269672/judaica-hamsa-morning-prayer-silberzweig">the rest of her 'art"</a>...
Judiacia – Hamsa by Sandra Silberwieg, and you should see the rest of her ‘art”

If you think this is scary, it gets far worse. Imagine what sort of place the creator of this work, a “Crying Woman” , the super- hyped Spanish-Jewish painter Picasso, must have been in psychologically and spiritually? Is this a place we want to go?

<em>A Crying Woman,</em> Picasso, 1937.
A Crying Woman, Picasso, 1937.

He and the other Jews liked and promoted this monstrosity so much, that he actually made variations of it. These images are so ugly and discordant that I seriously question if they should be shown to children. How this mentally ill freak could be considered an ‘artist” is beyond my comprehension.

The stuff of nightmares... Among the variations of <em>Crying Woman</em>, Pablo Picasso, <em>La Suppliante</em>,1937.
The stuff of nightmares… Among the variations of Crying Woman, Pablo Picasso, La Suppliante,1937.
More Picasso pot boiler variations of <em>Crying Woman</em>, this time, <em>Crying Woman with a Handkerchief</em>, 1937. At one point, so great was the Jewish promoted hype associated with this non-artist that a characteristically hideous doodle he made of Shakespeare was sold for a vast sum, and even a doodle he made of a horse  sold for 20,000 pounds at auction recently... pure cultural Marxist "valuing" in action. If you think of this puerile, putrid fifth is "art", or worth so much as a single sou, I have a bridge in Brooklyn I want to sell you...
More Picasso pot boiler variations of Crying Woman, this time, Crying Woman with a Handkerchief, 1937. At one point, so great was the Jewish promoted hype associated with this non-artist that a characteristically hideous doodle he made of Shakespeare was sold for a vast sum, and even a doodle he made of a horse  sold for 20,000 pounds at auction recently… pure cultural Marxist “valuing” in action. If you think of this puerile, putrid fifth is “art”, or worth so much as a single sou, I have a bridge in Brooklyn I want to sell you…
<em>The Weeping Woman</em>, Picasso, 1937. It just gets worse and worse. If I point out that this was made by a mentally ill troll, or that it is demonic, and not even in an interesting way, does that make me an "anti-semite"?
The Weeping Woman, Picasso, 1937. It just gets worse and worse. If I point out that this was made by a mentally ill troll, or that it is demonic, and not even in an interesting way, does that make me an “anti-semite”?

 

 

 

 

 

 

 

 

 

How does a European artist see women, sexuality, and Nature.. as demented, distorted, demons, as Picasso does, or as beautiful and confident, and even, at times, divine? Witness the glory of Sandro Botticelli’s  “Venus”. Is there even any comparison?

<em>The Birth of Venus, </em> by Sandro Botticelli, created in 1486 CE.
The Birth of Venus,  by Sandro Botticelli, created in 1486 CE.

And how do our own folk see our men, our heroes, and warriors? They also are presented as godlike, full of divine spirit. No troll could ever create anything like the Riace Bronzes. It is impossible for them to do so, and that is one reason why they seek to destroy those of us who can, for we are not “the self’chosen people”, but the Children of the Gods.

One of two warriors, the Bronzi di Riaci, found in the ocean in the Straits of Messina in 1972, dating to approximately 450 BCE. Both are exceedingly rare examples of Classical Greek bronzes, commonly called the Riaci Bronzes. On the day they were discovered, a chemist from Rome named Stefano Mariottini, looking for sponges, was diving at a depth of 8 meters and saw one of the two warrior statues's arms sticking up through the sand. At first he thought it was a dead body. Originally the bronze would have been quite bright colored, but they are still in very good shape. It originally was thought that the inlaid eyes were made of ivory, but they appear not to be when analysed. Their nipples and lips are made of copper.
One of two warriors, the Bronzi di Riaci, found in the ocean in the Straits of Messina in 1972, dating to approximately 450 BCE. Both are exceedingly rare examples of Classical Greek bronzes, commonly called the Riaci Bronzes. On the day they were discovered, a chemist from Rome named Stefano Mariottini, looking for sponges, was diving at a depth of 8 meters and saw one of the two warrior statues’s arms sticking up through the sand. At first he thought it was a dead body. Originally the bronze would have been quite bright colored, but they are still in very good shape. It originally was thought that the inlaid eyes were made of ivory, but they appear not to be when analysed. Their nipples and lips are made of copper.



©2015 Odinia 

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About the Author: Seana Fenner is the leader of Odinia International, an organization which seeks to restore and celebrate our native European religion. She is the writer and narrator of the Odinist video redes and blóts on the Odinistpodcast Channel on Youtube. She has spent many years doing research on the ancient world while doing graduate work at the University of Oxford, both at archaeological sites and research libraries and museums. Her degrees are in archaeology, history, English literature, and religion. In addition to writing about Odinism and archaeoastronomy, she is especially active in working on European civil rights issues and freedom of religion and speech. Most recently, she has worked for the NASA Infared Telecope, and as a lecturer, creating and teaching archaeoastronomy courses for the physics department at the University of Hawaii. She has also given history, natural history, and science lectures for the Harvard Museum of Natural History and private jet tour expeditions. For more about her research, and upcoming book, see her Author’s Guild page here. To submit an article to the Odinist Journal Foxfire, or to join our Odinist email newsletter, or Odinia International, please contact us at Odinia@outlook.com Our membership page is here. 

 


About the author: Seana Fenner (Odinia)

5 comments to “The Emperor has No Clothes… Ancient European Cave Paintings vs. Jewish Modern “Art””

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  1. Alex - August 19, 2016 at 4:38 am Reply

    In Mein Kampf Hitler spoke at length about it.

  2. Shak - August 23, 2016 at 9:18 am Reply

    I’m not a White European , but I fully support your article. However please don’t call them Semitic. The Arabs are Semites. The Self Chosen tribe are 96% East European/Turkic Khazars and don’t have a drop of semitic blood in their veins. This is just their revision of history that they have successfully brainwashed people with.

    • admin - August 23, 2016 at 11:20 am Reply

      Hello and thank you.I know there is a lot of controversy about this, but genetically, Jews are Semites. The Self Chosen, both Ashkenazi and Sephardic did mix with Turks, Huns, etc. but they are also very much interbred, meaning that they are still Semites, and far more closely related to each other and to other Semites than anyone else they mixed with. They have all sorts of genetic diseases that only they get, for example.

  3. David Alba Voce - September 26, 2016 at 12:55 am Reply

    Stop putting down Christianity and lying about Christian Identists, you sound like a Jew.

    • admin - September 26, 2016 at 1:13 am Reply

      David Baille, I assume, since you just sent me an email as well. No, I am not a Jew. If I remember correctly, you are the person who thought the Renaissance was Christian. This is not the case, it was a revival of Pagan European art and thought. Here is a video about this topic. https://www.youtube.com/watch?v=ntXFc2umAgU Christian religion is not European, but Christian Identity is even less so. Jew worshipers (Christians) frequently insult our Odinist ancestors, because they have been trained to, but Christian Identity takes it a step further and actually tries to give credit for our European civilization to Jews, and further insult us by suggesting that we are Israelites which is the most outlandish claim I have ever heard. Israelites had no civilization. Israelites-Jews do not create civilizations, they use the people who create them, and destroy our civilizations. You and others may be interested to read this updated version of “Abraham was a Pimp” http://vikingalthing.org/article/abraham-pimp-wacky-world-christian-identity/ .This interview about Christianity might also be of interest to you. https://www.youtube.com/watch?v=V2r1YiWeUzc …and finally, we recently have had another article that you might find relevant. https://odinia.org/article/save-goats-bestiality-race-mixing-jewish-bible/ If you are of our folk, I sincerely hope that you will turn away from this false Jewish cult and come back to the religion of our ancestors. Wassail!

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